Thursday, July 14, 2011

Contemporary life of India : Part 3

It is impossible to know India without understanding its religious beliefs, living and    practices, which have a large impact on the personal lives of most Indians and influence public life on a daily basis. Indian religions have deep historical roots that are recollected by contemporary Indians.





Aspiring models pose for the camera.
Many urban teenagers in India get
portfolio photos taken in hopes of a career
in modeling, a very lucrative profession in
India.





In Uttar Pradesh, a roadside
vendor displays a variety of salted savories.




Sunday, July 10, 2011

Contemporary life of India : Part 2

It is impossible to know India without understanding its religious beliefs, living and    practices, which have a large impact on the personal lives of most Indians and influence public life on a daily basis. Indian religions have deep historical roots that are recollected by contemporary Indians.





At a roadside bazaar in Jaipur, framed
images of popular Hindu gods. Thousands of
such prints are sold throughout India each
year for less than U.S. $1 each.





The rickshaw remains the
cheapest mode of transport in India and may
be observed just about everywhere, from congested
city streets as here to dusty country
roads.





The rickshaw remains the
cheapest mode of transport in India and may
be observed just about everywhere, from congested
city streets as here to dusty country
roads.


Sunday, July 3, 2011

Contemporary life of India : Part 1


It is impossible to know India without understanding its religious beliefs, living and    practices, which have a large impact on the personal lives of most Indians and influence public life on a daily basis. Indian religions have deep historical roots that are recollected by contemporary Indians.





Modern-day sadhu (ascetic), wearing only

beads with his face caked in ash, raises his
hand in blessing to the unknown photographer.
According to Hindu mythology, his
beads, or rudraksh, have medicinal powers.





In Calcutta, now known as Kolkata,
the Victoria Museum. Built at the behest
of Lord George Curzon (one of the
British Raj’s most flamboyant and much
derided viceroys) and of marble from the
same quarry that had supplied the builders
of the Taj Mahal in the seventeenth century.





Throughout India’s
numerous and varied states, images of the
old and the new constantly converge.





On a crowded city
street, the multitude of life that is India.

 

Tuesday, June 28, 2011

Art, Architecture & Sculpture Of India : Part 7


Divinity, mysticism, innovation and magnificence are the best ways to define Indian Art , Architecture & Sculpture.





Mud homes in Jodhpur, Rajasthan,
their resonating blue walls the result of a
traditional paint mixture of lime and indigo.





The imposing
Gwalior Fort, Madhya Pradesh. Built in
the eighth century and stretching for
almost 2 miles, the fort encloses within its
high walls a series of palaces and temples
with stone carving and lattice screens in
the Rajput style.





Situated on the
south bank of the Tungabhadra River in
Karnataka—Hampi, the capital of the
Vijayanagar Empire that reached its
zenith in the sixteenth century. The core
of the city was fortified and separated
from its sacred center by an irrigated valley
through which ancient canals and
waterways still run.




Art, Architecture & Sculpture Of India : Part 6


Divinity, mysticism, innovation and magnificence are the best ways to define Indian Art , Architecture & Sculpture.





Recently constructed home of
Ericsson in Gurgaon, Haryana. With its
sleek surfaces, a symbol of India’s bright economic
future.





The fifteenth-century Adinath
Temple, part of the Ranakpur complex and
one of the five most important holy places of
the Jain faith. Located in the Aravali Hills in
the Rajasamand district of Rajasthan, the
temple is constructed of white marble, boasting
some 1,444 pillars, each carved with a
different floral motif.


Sunday, June 26, 2011

Art, Architecture & Sculpture Of India : Part 5


Divinity, mysticism, innovation and magnificence are the best ways to define Indian Art , Architecture & Sculpture.




Dating to 1799, the red façade of the
Hawa Mahal (“Palace of the Winds”) in
Jaipur, Rajasthan. Behind the screens of its
balconies, a veiled harem would have
observed the activities on the street below.






Transformed into a major trading
center and gateway in the nineteenth
century, Bombay, now known as Mumbai.
With a skyline merged of stately Victorian
architecture and sleek skyscrapers—symbols
of India’s colonial past and present-day burgeoning
economy—it remains the nation’s
most dynamic city.






Close-up of the Kadal Alagar,
temple in Madurai, Tamil Nadu, to which
followers of Vishnu continue to flock.
Madurai is one of the oldest cities in South
India (about 2,000 to 2,500 years old), and
although no historical evidence yet exists to
support the claim, it is believed that this
temple dates to the same period.




Friday, June 24, 2011

Art, Architecture & Sculpture Of India : Part 4


Divinity, mysticism, innovation and magnificence are the best ways to define Indian Art , Architecture & Sculpture.



 
With twin minarets framing its central
arch, the Jamid Masjid in Delhi welcomes
Muslims for Friday prayers. India’s largest
mosque (the legacy of Emperor Shah Jahan
from 1656) features a courtyard that can
accommodate up to twenty thousand worshipers.





Beyond these calm waters sits
the Golden Temple, spiritual home of the
Sikh religion in Amritsar, Punjab.
Punctuated by a lotus-shaped dome, it is a
unique blend of Islamic and Hindu architectural
styles, erected between 1589 and 1601.



Tuesday, June 21, 2011

Art, Architecture & Sculpture Of India : Part 3


Divinity, mysticism, innovation and magnificence are the best ways to define Indian Art , Architecture & Sculpture.



 

Close up view of a stucco figure in the
Meenakshi Temple in Madurai, Tamil Nadu.
The figures represent deities from Hindu
mythology and are sculpted onto the towering
gateways (called gopura) of the temple.






Site of the Meenakshi Temple in Madurai, Tamil Nadu.
Built by the Pandyas between the seventh and
tenth centuries,the temple complex is enclosed
within high walls beyond four gateways (like the
one shown here) with distinctly ornate stucco detailing.

 

Monday, June 20, 2011

Art, Architecture & Sculpture Of India : Part 2


Divinity, mysticism, innovation and magnificence are the best ways to define Indian Art , Architecture & Sculpture.


  

In Rajasthan, vibrant colors and patterns
come together seamlessly, as the
façade of this home in Jaipur attests.






















In Jaipur, Rajasthan, site of the Jantar Mantar, one of five monolithic observatories constructed at the behest of Sawai Jai Singh between 1728 and 1734. Within this sculptural setting, some of the observatory’s original weather-forecasting instruments remain in use.








Constructed in 1784
as part of a famine relief project, in an
effort to foster employment, the perfectly
symmetrical exterior of the Bara Imambara
ceremonial hall. Lucknow, Uttar Pradesh.





   

Sunday, June 19, 2011

Art, Architecture & Sculpture of India : Part 1


Divinity, mysticism, innovation and magnificence are the best ways to define Indian Art , Architecture & Sculpture.



Serene Maitreya (“Future Buddha”), a contemporary
idol once consecrated by the Dalai
Lama. In the fifteenth-century Thikse
Monastery near Leh, the capital of Ladakh.














  










Illuminated manuscript, c. eighteenth
century, of the Gita Govinda, India’s last
great devotional text. Written in Sanskrit as
an allegorical lyric poem six centuries earlier,
it describes through the recounting of
Krishna and Radha’s love the union of a
human soul with God. In the Maharaja
Sawai Man Singh II Museum, also known as
the City Palace Museum, in Jaipur,Rajasthan.





















The majestic white marble carvings
of Dilwara, a Jain temple built on the
order of Vimala Shah, trusted adviser to
Gujarat’s kings, in 1031.















  

  


With the Himalaya Mountains
beckoning in the distance, tourists file to and
from the Bhimkali palace and temple, in
Sarahan, Himachal Pradesh. A monument to
India’s Rampur Bushahr rulers, the stone and
timber complex’s exact date of construction
is unknown, but its age has been estimated at
eight hundred years.